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Daily Call Sheet: 'Goodfellas: The Series,' The Death Of Cable, Spielberg's ...
I’m hoping to see “Moneyball” this week and completely hated “Tree of Life,” but the Spielberg snub is a wonder. “War Horse” is a beautifully directed picture, commensurate parts “How Green Was My Valley” and “All Tranquillity On the Western Front,” and very much a return to form for the Oscar-winner after a middling hitch from 2004’s “The Terminal” straight through to the unforgivable “Indy 4″ – one of the most unsatisfactorily directed films of the decade.
“War Horse” probably turns off a lot of Hollywood types because it is unapologetically emotional in a way John Ford might have appreciated. With a run-time that exceeds 150 minutes, the Edda of a horse that touches too many lives to count in the days leading up to and without hesitation preceding World War I held my attention and was ultimately quite active. But I do have to say that the movie didn’t stay with me. As soon as the lights came up, I forgot all about it.
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DVD Watch: The Cinema of Jean Rollin
It was against this wild backdrop that French director Jean Rollin released his first countenance film, The Rape of the Vampire. That the film itself caused a public scandal even in the middle of those now-legendary Mai 68 riots remains a fittingly
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Five Cult Horror Films by Jean Rollin, Remastered for DVD
What France did extend, however, was a thriving interest in eroticism, and when Rollin was finally able to make his first feature, “The Rape of the Vampire” (1968), he did so by combining his boyhood fascination with American cliffhanger serials and
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The Coroner's Report: The End Days Edition
Wagner keeps the initiative moving, steers away - for the most part - from extraneous subplots and manages to metamorphose a death metal fantasy into an engaging tale that will go fine with some Nile, Melechesh, Orphaned Country, Absu or older Morbid Angel on
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